Clare Easdown Turns Fear into Truth with Unflinching Anthem “CAN'T WALK HOME”

Some songs entertain. Others confront. Clare Easdown’s single “CAN'T WALK HOME” belongs firmly to the second category. Born in Menai, Australia, Easdown has crafted a track that refuses to look away from an uncomfortable reality, the daily vulnerability many women experience simply existing in public spaces. It is music with purpose, created not for comfort, but for awareness, empathy, and change.



The song emerged from Easdown’s creative partnership with Jade Ryan, the guitarist and collaborator she met unexpectedly on Tinder. What began as a personal connection quickly evolved into a musical alliance fueled by shared experiences and frustrations. Together, they channelled those emotions into “CAN'T WALK HOME,” a stripped-back, emotionally direct piece that speaks for countless women who have felt unsafe while performing the most ordinary act of walking home.


Rather than retreat into polished studio production, Easdown and Ryan embraced a deliberately raw approach. The track was recorded in their Menai living room with minimal equipment. Clare laid down her vocals using nothing more than an iPhone and Apple headset, while Jade plugged an electric guitar straight into a laptop. Imperfections were welcomed. Clean edges were avoided. The result feels immediate and human, as if the song is being sung directly beside the listener rather than at them.



This DIY ethos is central to the release's identity. The simplicity of the arrangement, just voice and guitar, allows the message to stand front and center. No elaborate instrumentation distracts from the lyrics, which confront the fear, anger, and resilience that women experience as they navigate an often hostile world. The track does not sensationalize its subject. Instead, it lets honesty do the heavy lifting.

Inspiration for the song came from real-life headlines and lived experiences. News stories of women attacked while walking alone struck a painful chord with Easdown and Ryan, pushing them to create something cathartic and meaningful. They wanted to give form to emotions that many feel but struggle to express. In doing so, they built more than a song; they built an anthem.


Clare Easdown’s broader musical journey adds depth to the release. A self-taught artist with influences ranging from Grimes and Madonna to punk pioneers like Fugazi and Bikini Kill, she blends genres with fearless curiosity. Her sound has touched trap, trip-hop, post-punk, and pop-punk, always guided by a desire to experiment and evolve. Through her project with Jade Ryan, known as The Cunning Linguists, that adventurous spirit has found a new voice,e one rooted in activism as much as artistry.


Clare Easdown Turns Fear into Truth with Unflinching Anthem “CAN'T WALK HOME”

The duo has taken their message beyond recordings, performing across Sydney, Newcastle, Woy Woy, and numerous local venues. Their live shows have sparked strong reactions. One audience member told them, “Your music gives me permission to be myself on stage.” Another confessed that hearing “CAN'T WALK HOME” reminded him of the real fear women face, even when accompanied. These responses confirm the song’s impact far beyond entertainment.


“CAN'T WALK HOME” is a plea for pause and reflection. It asks listeners to recognize a problem too often ignored and to stand in solidarity with those who live it daily. Clare Easdown transforms personal vulnerability into collective strength, proving that even the simplest recording can carry enormous power when the truth is allowed to breathe.


Follow Clare Easdown for more amazing updates and performances:


Facebook: https://www.facebook.com/clareeasdownmusic


Instagram: https://www.instagram.com/clare.easdown/


Bandcamp: https://clareeasdown.bandcamp.com/releases


1 Comments

  1. As a survivor of sexual assault and domestic violence I feel this song perpetuates the narrative that women should fear being outside in open spaces and fear unknown men. Statistically the vast majority of violence women face is interpersonal. It is committed inside the home or a perceived safe space by someone they know or someone who is in a position of authority. This song’s take on feminist discourse is lazy and cliche. It does not empower but rather upholds harmful narratives.

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