The Omaha trio, The Party After has finally pressed play on their debut album Dopamine Machine, a record that feels, after years of ups, downs, and a never-ending drive, that they have finally reached their potential. Recorded at Topetitud Estudios in Mexico City, Dopamine Machine combines alternative-rock, grunge-like textures, and dystopian party elements into a loud, proud, and real sound.
Vocals/guitarist Jared William Gottberg (frontman), Derek Talburt (drums), and Tony Bates (bass/backing vocals) channel everything from Pink Floyd and Deftones to 311 and Ghost without being beholden to these influences; they create a sound that is equally atmospheric as it is aggressive.
From the lyrics of "Blast Off," which address the dark side of fame, to "One For All," which offers a collective resistance message of strength in community, the songs are explained only half-heartedly by the genres applied to them. Closer, "Celebration Nothing" insightfully reflects on the fragility of life on the road, alluding to the exhaustion and bittersweet beauty derived from life experiences.
Dopamine Machine is special not only because of its sonic punch but also because of the lived-in authenticity behind it. This is dystopian party rock formed from real experiences like being robbed on the road, an awful manager, and a constant need to reinvent oneself, but also the genuine determination of three friends who simply wouldn't give up. Dopamine Machine is not just an album; it is a testament to survival, resilience, and a messy amount of joy trying to chase a dream.
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