In the evolving landscape of Scandinavian electronic pop, few projects capture emotional complexity with as much subtlety as The Vildes. The Oslo-based trio Ingvild Tafjord, Hilde Wahl, and Glenn Tvedt return with their second single, “Manicure for the Strangers,” a song that transforms everyday rituals into profound metaphors about vulnerability, identity, and self-preservation. Emerging from Norway’s rich tradition of introspective pop music, the collective continues to carve out a distinct artistic space where thoughtful lyricism meets lush, atmospheric production.
The Vildes operate as a modern creative unit. Rather than being confined to a single studio or location, the group collaborates remotely between Oslo, Aalesund, and Bergen. Ideas are exchanged digitally, vocals and instrumentals are recorded in bedrooms and home setups, and the final production is shaped in Bergen, the unofficial capital of Norway’s electronic pop scene. This process mirrors the emotional themes of the song itself: connection maintained across distance, intimacy filtered through screens, and art built through fragments coming together.
“Manicure for the Strangers” uses beauty rituals as a striking central image. Gloss, polish, and surface perfection become symbols of the masks people wear to navigate daily life. The song examines how individuals often present carefully curated versions of themselves, offering just enough to be seen while keeping their true emotions guarded. It is a reflection on the quiet performances people give to the world, small acts of emotional self-defense disguised as routine.
The track blends shimmering synth textures with a steady pop-electronica pulse, creating a sound that feels both warm and slightly distant. The production never overwhelms the message; instead, it frames the lyrics with elegance and restraint. The result is a song that invites listeners inward, encouraging them to reflect on their own protective layers and the ways they engage with others.
Following the success of their debut single “Serpents,” The Vildes continue to refine their identity as a songwriting-first project. Their music is not driven by trends or spectacle but by honest observation and emotional truth. There is a deliberate balance in their work between softness and control, closeness and detachment, expression and concealment. “Manicure for the Strangers” embodies this balance beautifully, proving that pop music can be both accessible and intellectually resonant.
What makes this release especially significant is its relevance to contemporary life. In an era dominated by curated online personas and filtered realities, the song speaks to a universal experience. It recognizes how easy it is to hide behind polished surfaces while quietly giving pieces of ourselves away. The Vildes capture that tension without judgment, turning it into art that feels compassionate and deeply human.
![]() |
| The Vildes Explore Emotional Armor and Modern Distance in “Manicure for the Strangers” |
The Vildes represent a new generation of creators redefining how music can be made. Their remote collaboration, emotionally driven approach, and Scandinavian electronic sensibility combine to produce work that feels intimate yet expansive. With “Manicure for the Strangers,” they reaffirm their ability to craft songs that resonate far beyond their run-time, the music that lingers in thought long after the final note fades. The Vildes offer a compelling voice worth following. “Manicure for the Strangers” is more than a single; it is a thoughtful statement about the modern condition, wrapped in elegant melodies and quiet power.

