Fine Machines, the debut album from Saves The Witch, is a stunningly crafted collection of 11 songs that merges introspective themes with a dynamic sonic landscape. Emerging from Southport, NC, this solo project is the brainchild of multi-instrumentalist Eric Maynes, who writes, arranges, performs, and produces each track. Fine Machines explores a range of genres, from Post-Metal to LoFi Study/Art Rock, creating a diverse, immersive listening experience.
The album’s opening track, "I’m Not Ready", immediately sets the tone for the introspective journey ahead, delving into themes of uncertainty and self-reflection. This is contrasted later with "Bring Me to the Everdoor", a track that closes the album with a thematic acceptance of mortality. The instrumental version of this final song offers a peaceful, contemplative variation, highlighting the emotional depth of Maynes' compositions.
One of the standout tracks, "Abeam the Intrepid", is inspired by the miraculous "Miracle on the Hudson," the 2009 event when an airliner made an emergency landing on the Hudson River. Through powerful post-metal melodies and ambient textures, the song captures the tension and relief of the moment, offering a cinematic listening experience. Another highlight, "Queen City", serves as a tribute to Charlotte, NC, a city that has shown strong support for Saves The Witch. Its warm, reflective tone makes it a heartfelt ode to a place deeply connected to the project’s journey.
Tracks like "We Are the Virus" and "The Hill We Die On" take on heavier, more intense themes, combining metallic riffs with haunting melodies, reminiscent of influences like Sleep Token and God is an Astronaut. These songs reflect on the darker aspects of society and human existence, offering moments of catharsis through music. Meanwhile, "She Dances With Knives" and "It's Dangerous to Go Alone" push the boundaries of instrumental rock, bringing in a sense of urgency and adventure.
Maynes’ ability to weave intricate storylines into his music is another compelling aspect of the album. Although the full fictional lore behind Saves The Witch is yet to be released, the tracks hint at a larger narrative, with each song functioning as a piece of a much broader puzzle. This depth adds layers of meaning to Fine Machines, inviting listeners to engage not only with the music but with the universe that Maynes is slowly revealing.
What makes Fine Machines truly special is its ability to shift between emotional highs and contemplative lows. Maynes achieves a rich dynamic range in the album by skillfully combining intense, energetic tracks with soothing, ambient pieces. Inspired by groups like Coheed and Cambria and This Will Destroy You, Maynes smoothly combines different aspects of post-rock, progressive metal, and lo-fi styles into one unified entity.
Although it is a solo endeavor, Saves The Witch gives the impression of a complete band dynamic. The music is layered and meticulously arranged, showing the complexity of Maynes' compositions. Though there have been no live shows yet, Fine Machines holds the potential to translate into a powerful live performance in the future.
With Fine Machines, Saves The Witch offers more than just music; it’s a journey through existential questions, societal reflections, and personal growth. This album encourages deep listening, and critical thinking, and ultimately fosters a sense of connection through its sound. An essential listen for those who enjoy post-metal, ambient rock, and progressive instrumental music.
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